2009年1月9日 星期五
渣渣


2007/wire
Statement of the creation
The center of my creation is that new perception experience is obtained by the returned self-perception and the tapped perceptional forces from lovely and funny figures. Since I was devoted to the creation, I have been interested in a process of the body’s perception and fond of expressing emotions through different materials; gradually, the threads of a work development are transferred to the emotions from the observation of an object and the concern for people is transferred to the concentration on an object. Thus, lovely and concentration(abstracted) is the atmosphere of my current creation, from the sculpturing of simple natural elements to the welding of colorful lines. With the changes of living environment, I begin to accept my self in different levels, but I have a non-simple desire to an object beyond the need of it; for example, a small thing in the bedroom that must be a possessed object in our life but not the center of our life. It has no status but fills up our space, being buried in oblivion at any time. Maybe when we hold it, we can care for a certain part in its body to satisfy a tiny piece of sky in our mind. After the small thing in the bedroom is finished, we flick through fashion and artistic design magazines to look for some materials desired but not hold. However, when these small things are formed before me, they are left with linear contour and without space vagueness; whether another reality can be reached when we only view the left colors and lines in the object. An uncertain distance exists between the deceptive and uncontrolled linear object before us and the practical object perceived in our mind, which includes not only different shapes but another non-material like. When we have this non-material like, we can view a new visual sculpture besides the state of drawing or painting. At present, the issues related to sculpture and painting are not discussed here because sculpture and painting are in their prime. The above-mentioned is the discourse on my creation.
2009年1月8日 星期四
Exhibitions
2011
《2011粉樂町》富邦藝術基金會,台北東區
《小動物主體》,海馬迴光畫廊
《聚賢迎春》,台北尊采藝術中心
《四人聯展》,旻古畫廊
2010
《藝術博覽會MIT台灣新人推薦特區》,台北世貿
《去銳利》,金車藝文中心,台北
《叮叮咚咚藝術家_夏雨天》個展,朱銘美術館
《桃園創作獎》,桃園縣文化局
《yes》,也趣藝廊,台北
《I have no time to love you》攝影個展,新竹沙湖礰
2009
《I will be there forever》,WONDER SHOW 2.0,台南永康
2009
《新鮮人》,婆仔屋藝術空間,澳門
《I will be there forever》,WONDER SHOW 2.0,台南永康
2008
《小碎花不》,台北當代館,台北
《SHINY DEATH》,台南大學慶中藝術空間,台南
《CO Q》,關渡美術館,台北
2007
《桃園創作獎》,桃園縣文化局
《博覽Party》,台中酒廠,台中
《範式轉向──台灣新世代藝術的契機》,798藝術特區,北京
《CO-Q》,嘉義鐵道藝術村 四號倉庫,嘉義
2006
《愛在山中下不去》,台南藝術大學,台南
《前文我已說過》,台南藝術大學,台南
《結巴的感覺邏輯》,台南大學慶中藝術空間,台南
2005
《新手上路》,台南藝術大學,台南
《發生體》,大葉大學,彰化
《曼波藝術季戶外焊接》,七星潭,花蓮
《秘密花園》石雕展,高雄市政府,高雄
Exhibition
2008
*SuperGeneration@Taiwan ,museum of contemporary art Taipei
*SHINY DEATH ,T.N.N.U.A, Tainan
*CO Q-Young Taiwanese Artist from Nobody collection , Taipei National University of The Arts Kuandu Museum of Fine Arts, Taipei
2007
*「Paradigm Shift-The Moment of Taiwan New Generation Arts」, Beijing
2006
*CO-Q, Art Site Chiayi Railway Warehouse NO.4 Stock, Chiayi
*DA QI, T.N.N.U.A, Tainan
*Stuttering Sensation Logic, T.N.N.U.A, Tainan
2005
*Mambo Festival Solder Outdoors, Qixing deep pool, Hualien
*The Secret Garden – An Exhibition of Stone Carving, Kaohsiung City Government, Kaohsiung
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