2009年12月13日 星期日
2009年6月10日 星期三
0
The main shaft of my creation encircles the reflection and transition of desires all the time. There is not at all any connection among these desires. Having its own center, every desire is an individuality as the shatters fragment into bits all over the ground. They are the details affected by life and really personal, but there is not a bit dying notion in the private parts. On the contrary, like the new arrivals in the stores, the desires seem to be layer upon layer of the new skins always expecting the possibilities of producing fashion.
Separation is kind of trifling extension. It is an advancing way of plain circumspect life, not saltation of high technology. I contact too many changes of interfaces of information in my life and every component is divided into extremeness, existing in a coordinates difficult to define. Such scenery was my creation viewpoint before 2009. I try to look for different viewing cleavages, so the desires will not be locked in the constant value of wilderness. Life is a large piece of sticky stuff and even time can’t divide it. Time steps forward in a steady speed in the order all the time. Quiet continuity is another quietness. The so-called detailed parts keep wriggling in another speed. It arouses beauty in the minor matters once in a while. It will produce a new individuality every time and not produce another order any more.
2009年2月12日 星期四
2009年1月9日 星期五
渣渣
2007/wire
Statement of the creation
The center of my creation is that new perception experience is obtained by the returned self-perception and the tapped perceptional forces from lovely and funny figures. Since I was devoted to the creation, I have been interested in a process of the body’s perception and fond of expressing emotions through different materials; gradually, the threads of a work development are transferred to the emotions from the observation of an object and the concern for people is transferred to the concentration on an object. Thus, lovely and concentration(abstracted) is the atmosphere of my current creation, from the sculpturing of simple natural elements to the welding of colorful lines. With the changes of living environment, I begin to accept my self in different levels, but I have a non-simple desire to an object beyond the need of it; for example, a small thing in the bedroom that must be a possessed object in our life but not the center of our life. It has no status but fills up our space, being buried in oblivion at any time. Maybe when we hold it, we can care for a certain part in its body to satisfy a tiny piece of sky in our mind. After the small thing in the bedroom is finished, we flick through fashion and artistic design magazines to look for some materials desired but not hold. However, when these small things are formed before me, they are left with linear contour and without space vagueness; whether another reality can be reached when we only view the left colors and lines in the object. An uncertain distance exists between the deceptive and uncontrolled linear object before us and the practical object perceived in our mind, which includes not only different shapes but another non-material like. When we have this non-material like, we can view a new visual sculpture besides the state of drawing or painting. At present, the issues related to sculpture and painting are not discussed here because sculpture and painting are in their prime. The above-mentioned is the discourse on my creation.
訂閱：
文章 (Atom)